REVIEW: ‘Plus One’ Elevates Its Predictable Plot With A Sharp & Sincere Script
Review of the wedding season indie comedy for Flip Screen.
Birds of Prey (2020) Review
Review of Margot Robbie as an emancipated Harley Quinn for The Film Magazine.
‘Horse Girl’ is a Surreal and Sensitive Depiction of Losing Your Grip On Reality
Reviewing Alison Brie’s story of mental illness for Screen Queens.
From ‘Foreign Language’ To ‘International Feature’: Why A Change In Name Isn’t Enough
Looking back at the history of the Foreign Language Oscar and the need for more awards diversity – for The Film Magazine.
REVIEW: ‘Say My Name’ is a Charming But Forgettable Exploration of Identity
Review of comedian Deborah Frances-White’s screenwriting debut for Flip Screen.
‘Joker’ Vs ‘Us’: Their Significance, Similarities – And Why Is One Missing From The Oscar Nominations?
Comparing ‘Joker’ and ‘Us’, and how they’ve been received in awards season for The Film Magazine.
Fatness In Film #1: Three Things That ‘Shrill’ Gets Right About Living As A Fat Woman
My first column entry for Flip Screen, all about how ‘Shrill’ is positive representation for fat women.
Bombshell (2020) Review
Reviewing the movie depiction of the Fox News scandal for The Film Magazine.
REVIEW: ‘The Party’s Just Beginning’ (2019) is Mostly Bleak, With Mere Glimpses of Greatness
Reviewing Karen Gillan’s directorial debut for Flip Screen.
Black Christmas (2019) Review
Review of the sorority slasher revival for The Film Magazine.
Charlie’s Angels (2019) Review
Reviewing the girl power superspy reboot for The Film Magazine.