REVIEW: ‘Calm With Horses’ Is A Truly Heart-Pounding Thriller With A Revelatory Lead Performance
Reviewing Nick Rowland’s blinder of a debut for Flip Screen.
Category: Reviews
Made of Metal, Made of Lace: Dresses As Power In ‘True History of the Kelly Gang’
A deep dive into the use of dresses as symbols of power in ‘True History of the Kelly Gang’ for One Room With A View.
GFF REVIEW: ‘How To Build A Girl’ Is Like A Witty, Whimsical Hug From Caitlin Moran Herself
Reviewing the film adaptation of Caitlin Moran’s semi-autobiographical novel for Flip Screen.
Food, Femininity and First Time Filmmaking: An Interview with Lucy Brydon, Director of ‘Body of Water’
I talked to director Lucy Brydon about her debut feature ‘Body of Water’ after it screened at Glasgow Film Festival 2020.
GFF REVIEW: ‘Vivarium’ Puts The Mundane Brutality of Life’s Milestones Under The Most Surreal Microscope
Reviewing Lorcan Finnegan’s surreal suburban sci-fi for Flip Screen.
Our Ladies (2020) GFF Review
Review of the riotous, Scottish-set coming of age for The Film Magazine.
GFF REVIEW: ‘Proxima’ Is A Moving Meditation on Motherhood and Ambition
Review of the GFF opening gala film for Flip Screen.
REVIEW: ‘Plus One’ Elevates Its Predictable Plot With A Sharp & Sincere Script
Review of the wedding season indie comedy for Flip Screen.
Birds of Prey (2020) Review
Review of Margot Robbie as an emancipated Harley Quinn for The Film Magazine.
‘Horse Girl’ is a Surreal and Sensitive Depiction of Losing Your Grip On Reality
Reviewing Alison Brie’s story of mental illness for Screen Queens.
REVIEW: ‘Say My Name’ is a Charming But Forgettable Exploration of Identity
Review of comedian Deborah Frances-White’s screenwriting debut for Flip Screen.