Fatness in Film #4: ‘Brooklyn Nine-Nine’ And How Fatphobia Is Still Acceptable In ‘Woke’ Media
The fourth instalment of my column for Flip Screen, with a deep dive into how fatphobia presents itself in ‘Brooklyn Nine-Nine’ and other woke media.
Category: Flip Screen
GFF REVIEW: ‘Perfect 10’ Is A Stunning Debut Coming-Of-Age That Definitely Sticks The Landing
Reviewing Eva Riley’s coming-of-age debut about a young gymnast for Flip Screen.
REVIEW: ‘Saint Maud’ Is Big On Shocks And Style, But Questionable On Substance
Reviewing the heavenly horror for Flip Screen.
Fatness in Film #3: Thor, ‘Avengers: Endgame’, And The Problem With Fatsuits
The third instalment of my column for Flip Screen, analysing the use of fatsuits in ‘Avengers: Endgame’ and beyond.
GFF REVIEW: The Plot of ‘Dirt Music’ Lets Down Passionate Lead Performances
Reviewing the Aussie romance-drama for Flip Screen.
GFF REVIEW: ‘County Lines’ Is An Unmissable Debut From Henry Blake
Reviewing Henry Blake’s debut feature for Flip Screen.
REVIEW: ‘Calm With Horses’ Is A Truly Heart-Pounding Thriller With A Revelatory Lead Performance
Reviewing Nick Rowland’s blinder of a debut for Flip Screen.
IWD 2020: 100 Female Directors You Should Be Watching
I contributed several entries to this listicle, compiled by the Flip Screen team to celebrate International Women’s Day 2020.
Food, Femininity and First Time Filmmaking: An Interview with Lucy Brydon, Director of ‘Body of Water’
I talked to director Lucy Brydon about her debut feature ‘Body of Water’ after it screened at Glasgow Film Festival 2020.
GFF REVIEW: ‘Vivarium’ Puts The Mundane Brutality of Life’s Milestones Under The Most Surreal Microscope
Reviewing Lorcan Finnegan’s surreal suburban sci-fi for Flip Screen.
GFF REVIEW: ‘Proxima’ Is A Moving Meditation on Motherhood and Ambition
Review of the GFF opening gala film for Flip Screen.