GFF REVIEW: ‘Surge’ (2021) is an Uncomfortable But Liberating Experience
Reviewing Aneil Karia’s exhilerating depiction of one man’s breakdown for Flip Screen, from Glasgow Film Festival.
Category: Flip Screen
GFF REVIEW: ‘Sweetheart’ (2021) is an Instant Coming of Age Classic
Reviewing Marley Morrison’s debut from Glasgow Film Festival, for Flip Screen.
GFF REVIEW: ‘The Mauritanian’ (2021) Levels Up The Conventional Legal Drama
Reviewing Kevin Macdonald’s gripping adaptation of Mohamedou Ould Slahi’s Guantenamo diaries, showing at Glasgow Film Festival, for Flip Screen.
GFF REVIEW: ‘Riders of Justice’ Is A Bizarrely Comedic Revenge Rampage
Reviewing the offbeat Danish thriller, showing at Glasgow Film Festival 2021, for Flip Screen.
LFF REVIEW: ‘Bloody Nose, Empty Pockets’ (2020) Blurs Fact & Fiction To Fascinating Effect
Reviewing ‘Bloody Nose, Empty Pockets’ from LFF for Flip Screen,
100 Great LGBTQ+ Characters and Couples
A list of LGBTQ+ characters, written and edited by myself, with contributions from the Flip Screen team.
Fat People Have Eating Disorders Too – A Love Letter To ‘My Mad Fat Diary’
A deep dive into the depiction of disordered eating in ‘My Mad Fat Diary’, for my Fatness in Film column for Flip Screen.
Love, Sex & Power In ‘Normal People’
A feature for Flip Screen looking at the relationship dynamics in the BBC’s adaptation of Sally Rooney’s ‘Normal People’.
Fatness in Film #4: ‘Brooklyn Nine-Nine’ And How Fatphobia Is Still Acceptable In ‘Woke’ Media
The fourth instalment of my column for Flip Screen, with a deep dive into how fatphobia presents itself in ‘Brooklyn Nine-Nine’ and other woke media.
GFF REVIEW: ‘Perfect 10’ Is A Stunning Debut Coming-Of-Age That Definitely Sticks The Landing
Reviewing Eva Riley’s coming-of-age debut about a young gymnast for Flip Screen.
REVIEW: ‘Saint Maud’ Is Big On Shocks And Style, But Questionable On Substance
Reviewing the heavenly horror for Flip Screen.