GFF REVIEW: ‘Perfect 10’ Is A Stunning Debut Coming-Of-Age That Definitely Sticks The Landing
Reviewing Eva Riley’s coming-of-age debut about a young gymnast for Flip Screen.
Category: Glasgow Film Festival 2020
REVIEW: ‘Saint Maud’ Is Big On Shocks And Style, But Questionable On Substance
Reviewing the heavenly horror for Flip Screen.
GFF REVIEW: The Plot of ‘Dirt Music’ Lets Down Passionate Lead Performances
Reviewing the Aussie romance-drama for Flip Screen.
GFF REVIEW: ‘County Lines’ Is An Unmissable Debut From Henry Blake
Reviewing Henry Blake’s debut feature for Flip Screen.
REVIEW: ‘Calm With Horses’ Is A Truly Heart-Pounding Thriller With A Revelatory Lead Performance
Reviewing Nick Rowland’s blinder of a debut for Flip Screen.
Made of Metal, Made of Lace: Dresses As Power In ‘True History of the Kelly Gang’
A deep dive into the use of dresses as symbols of power in ‘True History of the Kelly Gang’ for One Room With A View.
GFF REVIEW: ‘How To Build A Girl’ Is Like A Witty, Whimsical Hug From Caitlin Moran Herself
Reviewing the film adaptation of Caitlin Moran’s semi-autobiographical novel for Flip Screen.
Food, Femininity and First Time Filmmaking: An Interview with Lucy Brydon, Director of ‘Body of Water’
I talked to director Lucy Brydon about her debut feature ‘Body of Water’ after it screened at Glasgow Film Festival 2020.
GFF REVIEW: ‘Vivarium’ Puts The Mundane Brutality of Life’s Milestones Under The Most Surreal Microscope
Reviewing Lorcan Finnegan’s surreal suburban sci-fi for Flip Screen.
Our Ladies (2020) GFF Review
Review of the riotous, Scottish-set coming of age for The Film Magazine.
GFF REVIEW: ‘Proxima’ Is A Moving Meditation on Motherhood and Ambition
Review of the GFF opening gala film for Flip Screen.