INTERVIEW: Peter Murimi Talks Masculinity, Mental Health & ‘I Am Samuel’ (2020)
Talking to Peter Murimi about his documentary ‘I Am Samuel’.
Netflix’s Thunder Force promises to right the wrong of Avengers: Endgame
A piece on the promise of positive plus size superhero representation in Netflix’s Thunder Force for Digital Spy.
GFF REVIEW: ‘Out of the World’ (2021) is Disappointingly One-Dimensional
Reviewing Marc Fouchard’s serial killer thriller for Flip Screen, from Glasgow Film Festival.
GFF REVIEW: ‘Surge’ (2021) is an Uncomfortable But Liberating Experience
Reviewing Aneil Karia’s exhilerating depiction of one man’s breakdown for Flip Screen, from Glasgow Film Festival.
GFF REVIEW: ‘Sweetheart’ (2021) is an Instant Coming of Age Classic
Reviewing Marley Morrison’s debut from Glasgow Film Festival, for Flip Screen.
GFF REVIEW: ‘The Mauritanian’ (2021) Levels Up The Conventional Legal Drama
Reviewing Kevin Macdonald’s gripping adaptation of Mohamedou Ould Slahi’s Guantenamo diaries, showing at Glasgow Film Festival, for Flip Screen.
GFF REVIEW: ‘Riders of Justice’ Is A Bizarrely Comedic Revenge Rampage
Reviewing the offbeat Danish thriller, showing at Glasgow Film Festival 2021, for Flip Screen.
Judas and the Black Messiah (2021) – Review
Reviewing Shaka King’s depiction of Chairman Fred Hampton’s assassination for The Film Magazine.
The Sky Is Still Falling: ‘Donnie Darko’ at 20 – Review
Looking back on Richard Kelly’s cult classic ‘Donnie Darko’, on the 20th anniversary of it’s initial screening at Sundance.
The Weight of Living: Generational Guilt in Natalie Erika James’ ‘Relic’
A personal essay about my connection with ‘Relic’ for the Girls on Tops platform READ ME.
LFF REVIEW: ‘Bloody Nose, Empty Pockets’ (2020) Blurs Fact & Fiction To Fascinating Effect
Reviewing ‘Bloody Nose, Empty Pockets’ from LFF for Flip Screen,