The 50 Best LGBTQ+ Movies
I contributed around half the entries for this list of the greatest LGBTQ+ movies for EMPIRE Online, in honour of Pride Month 2020.
Made of Metal, Made of Lace: Dresses As Power In ‘True History of the Kelly Gang’
A deep dive into the use of dresses as symbols of power in ‘True History of the Kelly Gang’ for One Room With A View.
Food, Femininity and First Time Filmmaking: An Interview with Lucy Brydon, Director of ‘Body of Water’
I talked to director Lucy Brydon about her debut feature ‘Body of Water’ after it screened at Glasgow Film Festival 2020.
Shut Up Sona – Sheffield Doc/Fest 2020 Review
Reviewing Deepta Gupti’s ‘Shut Up Sona’ for One Room With A View’s coverage of Sheffield Doc/Fest 2020.
A Cat Is Always Female – Sheffield Doc/Fest 2020 Review
Reviewing ‘A Cat Is Always Female’ as part of One Room With A View’s coverage of Sheffield Doc/Fest 2020.
100 Great LGBTQ+ Characters and Couples
A list of LGBTQ+ characters, written and edited by myself, with contributions from the Flip Screen team.
Luz – Review
Reviewing Tilman Singer’s impressive horror debut for One Room With A View.
Fat People Have Eating Disorders Too – A Love Letter To ‘My Mad Fat Diary’
A deep dive into the depiction of disordered eating in ‘My Mad Fat Diary’, for my Fatness in Film column for Flip Screen.
Love, Sex & Power In ‘Normal People’
A feature for Flip Screen looking at the relationship dynamics in the BBC’s adaptation of Sally Rooney’s ‘Normal People’.
Fatness in Film #4: ‘Brooklyn Nine-Nine’ And How Fatphobia Is Still Acceptable In ‘Woke’ Media
The fourth instalment of my column for Flip Screen, with a deep dive into how fatphobia presents itself in ‘Brooklyn Nine-Nine’ and other woke media.
When Harry Met Sally – My First Time Film Review
Watching and reviewing ‘When Harry Met Sally’ for the first time, for One Room With A View.
GFF REVIEW: ‘Perfect 10’ Is A Stunning Debut Coming-Of-Age That Definitely Sticks The Landing
Reviewing Eva Riley’s coming-of-age debut about a young gymnast for Flip Screen.
REVIEW: ‘Saint Maud’ Is Big On Shocks And Style, But Questionable On Substance
Reviewing the heavenly horror for Flip Screen.