Made of Metal, Made of Lace: Dresses As Power In ‘True History of the Kelly Gang’
A deep dive into the use of dresses as symbols of power in ‘True History of the Kelly Gang’ for One Room With A View.
Food, Femininity and First Time Filmmaking: An Interview with Lucy Brydon, Director of ‘Body of Water’
I talked to director Lucy Brydon about her debut feature ‘Body of Water’ after it screened at Glasgow Film Festival 2020.
Luz – Review
Reviewing Tilman Singer’s impressive horror debut for One Room With A View.
Fat People Have Eating Disorders Too – A Love Letter To ‘My Mad Fat Diary’
A deep dive into the depiction of disordered eating in ‘My Mad Fat Diary’, for my Fatness in Film column for Flip Screen.
Love, Sex & Power In ‘Normal People’
A feature for Flip Screen looking at the relationship dynamics in the BBC’s adaptation of Sally Rooney’s ‘Normal People’.
Fatness in Film #4: ‘Brooklyn Nine-Nine’ And How Fatphobia Is Still Acceptable In ‘Woke’ Media
The fourth instalment of my column for Flip Screen, with a deep dive into how fatphobia presents itself in ‘Brooklyn Nine-Nine’ and other woke media.
When Harry Met Sally – My First Time Film Review
Watching and reviewing ‘When Harry Met Sally’ for the first time, for One Room With A View.
GFF REVIEW: ‘Perfect 10’ Is A Stunning Debut Coming-Of-Age That Definitely Sticks The Landing
Reviewing Eva Riley’s coming-of-age debut about a young gymnast for Flip Screen.
REVIEW: ‘Saint Maud’ Is Big On Shocks And Style, But Questionable On Substance
Reviewing the heavenly horror for Flip Screen.
Fatness in Film #3: Thor, ‘Avengers: Endgame’, And The Problem With Fatsuits
The third instalment of my column for Flip Screen, analysing the use of fatsuits in ‘Avengers: Endgame’ and beyond.
GFF REVIEW: The Plot of ‘Dirt Music’ Lets Down Passionate Lead Performances
Reviewing the Aussie romance-drama for Flip Screen.
GFF REVIEW: ‘County Lines’ Is An Unmissable Debut From Henry Blake
Reviewing Henry Blake’s debut feature for Flip Screen.
REVIEW: ‘Calm With Horses’ Is A Truly Heart-Pounding Thriller With A Revelatory Lead Performance
Reviewing Nick Rowland’s blinder of a debut for Flip Screen.